MICHAEL ANTHONY HERNANDEZ
NO WAY OUT
NO WAY OUT
In Los Angeles, the photographer explores the modern day uses of razor wire.
A study of a tool that has mutilple signifigance in the early American West that soon spread internationally, far from its original intended purposes.
"Simple and obvious, neither invasive nor threatening, the wire’s concept is meant to keep out — or to keep in — an area. But ultimately the wire is about ownership".
Self Published
40 pages
Black and white
6 x 9"
Silk Screened cover with reflective ink
135pt cardstock covers
Coil bound
Printed and bound in Los Angeles
First edition 2018
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